- All fine.
= Comprises i.a. Giuseppe Penone (Städtisches Museum Abteiberg Mönchengladbach, 1982), Ian Hamilton Finlay (Fondation Cartier pour l'Art Contemporain, 1987), Ben Shahn, A Partridge in a Pear Tree (Museum of Modern Art, 1967), Félix Valloton (Museum Boymans, 1954), Zadkine (Museum Boymans, 1949) and W. Elenbaas grafiek (Museum Boymans-Van Beuningen, 1973-74).
= Comprises i.a. Kasimir Malewitsch (Braunschweig, Haus Salve Hospes, 1958); Helly Oestreicher (Breda/ Amst., De Beyerd/ Joods Historisch Museum, 1989); Mary Bauermeister (Cologne, Galerie Schüppenhauer, 2004. Autograph dedication on title); Günter Tuzina (New York, David Nolan Gallery, 1989); Rissa, Gemälde 1964-1994 (Chemnitz, Städtische Kunstsammlungen, 1994); Rissa, Gemälde und Zeichnungen Januar-Februar 1978 (Cologne, Axiom, 1978); Kalinowski, Bildschreine (Düsseldorf, Galerie 22, 1959); Harold Cohen (Amst., Stedelijk Museum, 1977); Ottfried Rautenbach, 38 Photos (Weinheim, Galerie Krebaum, 1980); Karl-Heinz Meyer (Bielefeld, Galerie Marzona, n.d.); IDEM, Arbeiten 1960-1981 (Bielefeld, Kunsthistorisches Museum, 1982) and Bernard Schultze (Wuppertal, Kunst- und Museumsverein Wuppertal, 1962).
- Mostly fine.
= Comprises i.a. Arshile Gorky Peintures et dessins (Palais des Beaux-Arts, 1965); Yves Klein et son mythe (Palais des Beaux-Arts, 1966); Jean Fautrier 1925-1935 (Sted. Mus. Amst., 1986, no.708); Ramon Herreros/ Alfonso Albacete/ Aki Kudora (3 vols., Galerie Maeght, 1992-1993); Valerio Adami Werke 1976-1996 (Die Galerie, 1996) and Lucio Fontana. La fine di dio (Lenbachhaus, 1998).
= Vol. 1 mostly on fine and applied arts; vol. 2 mostly on theatre and dance.
- Yellowed as usual, due to the quality of the paper.
= All published. Conceptual and political art magazine. With contributions i.a. by Joseph Kosuth and Sarah Charlesworth.
= With contributions by i.a. J.-C. Lambert, B. Vautier (booklet mounted within: Me Ben I Sign. Ibid., 1975, (36)p., orig. wr., sm. 8vo), R. Filliou, C. Dotremont and C. Boltanski.
= With contributions by i.a. J.-C. Lambert, B. Vautier (booklet mounted within: Me Ben I Sign. Ibid., 1975, (36)p., orig. wr., sm. 8vo), R. Filliou, C. Dotremont and C. Boltanski.
- No.2 bookblock loose and w. ruststains from staples at inner margin.
= Rare (all published?). SEE ILLUSTRATION PLATE VII.
= Rare. "The publication was made into one book of 1974 limited edition for commemorating the original Mona Lisa's exhibition in Japan".
- Upper blank corner of 8 lvs. lacking tiny portion; otherwise fine.
= The (photographic) impressions of journeys Hamish Fulton undertook in 1969-1971. Rare.
- Dustwr. w. tiny tear near top of spine and sl. agetoned. Otherwise a very fine copy.
= Die Baubücher Band 11. With a loosely inserted announcement (1919) of Arti et Industriae for the lecture by the designer Piet Zwart: "De grondslag voor het moderne meubel".
- A few plates yellowed/ foxed and/ or stamped. Lower corner backcover waterst.
= Originally published (from ±1835 onwards) in 6 instalments a year, each containing 9 lithographs. This collection contains plates from various instalments. Very nice overview of (late) 19th cent. Parisian furniture. SEE ILLUSTRATION PLATE VIII.
WITH 9 loosely inserted other plates by the same (1x foxed; 1x portion lacking).
- Horizontal and vertical middle-fold.
= Separate impression (proof?) of the illustration from the flyer-manifesto of the "Direzione del movimento futurista", which announces the forthcoming publication of the anthology "I paroliberi futuristi", 1915.
- Fine copy.
= Bollinger VI, 333.2 (5th/ 6th thous., 1912): "Katalog der ersten Austellung der Futuristen in Deutschland". Describes 24 works of art in German, English and a Scandinavian language. Contains the essay in German "Manifest des Futurismus" by F.T. Marinetti. Probably the first edition of this rare catalogue.
- Backwr. trifle rubbed.
= Rare artist's book, comprising fictional interviews/ interrogations with a rapist, w. 10 (almost identical) mugshot-like photogr. portraits of the artist by Hans Gaarenstroom.
- Lower joint starting at top of spine.