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Auction 81, 18-22 Nov 2024

Auction 80, 13-17 May 2024

Auction 79, 21-24 Nov 2023

Auction 78, 23-26 May 2023

Auction 77, 22-25 November 2022

Auction 76, 17-20 May 2022

Page 610 of 1858 Results 12181 - 12200 of 37146
78 92 Tenschert H and Cordes M ed 78 92 Tenschert H and Cordes M ed
78 92 Tenschert H and Cordes M ed 78 92 Tenschert H and Cordes M ed
78/ 92 Tenschert, H. and Cordes, M. (ed.). Botanik & Zoologie. Illustrierte Bücher und farbige Tafelwerke von 1485 bis 1885. Ramsen/ Rotthalmünster, Antiquariat Bibermühle/ Antiquariat Heribert Tenschert, 1995-1996, 430p., num. (full-p.) col. ills., orig. boards w. dustwr., folio. - AND 9 others, i.a. THE HASTINGS HOURS (London, 1983, 78 full-p. facs. plates printed in colours and gold, orig. gilt cl., slipcase w. mounted col. plate) and K. WETTENGL (ed.), Maria Sibylla Merian 1647-1717. Dutch transl. C.M. Slabbekoorn a.o. (Haarlem, 1998, col. ills., orig. cl. w. dustwr., 4to).
€ (40-60) 90
78 93 Thornton D 78 93 Thornton D
78/ 93 Thornton, D. The Scholar in his Study. Ownership and Experience in Renaissance Italy. New Haven/ London, Yale University Press, 1997, XI,(1),214p., (full-p.) (col.) ills., orig. cl. w. dustwr., sm. 4to. - AND 9 others, i.a. B. SIEGERT and J. VOGL (ed.), Europa. Kultur der Sekretäre (Zurich/ Berlin, 2003, ills., orig. wr. Occas. owner's annots.); S. SPIEKER, Bürokratische Leidenschaften (Berlin, 2004, ills., orig. wr.); A.W. LO and J. HASANHODZIC, The Evolution of Technical Analysis (Hoboken, 2010, ills., orig. boards w. dustwr.) and C. ROBERTSON, The Filing Cabinet (Minneapolis/ London, 2021, ills., orig. wr.).

= Interesting lot on i.a. office furniture/ objects (mostly fine).

€ (50-70)
78 94 Trade catalogues Aug Bigot & Co 78 94 Trade catalogues Aug Bigot & Co
78/ 94 [Trade-catalogues]. Aug. Bigot & Co. Verlovingskaarten. Amst., A. Bigot & Co., n.d. (±1930), (4) lvs. w. tipped-in (giltlettered) paper/ envelope samples, price list tipped onto verso frontwr., sm. folio.

- Frontwr. sl. foxed.

€ (50-70)
78 95 Typespecimens Bauersche Giesserei 78 95 Typespecimens Bauersche Giesserei
78/ 95 [Typespecimens]. Bauersche Giesserei. Beton. Ein Bauelement für moderne Typografie. Frankf. a.M./ New York, Bauerische Giesserei, n.d. (±1930), (16)p., ills., printed in black and grey, orig. wr., 4to.

- Sm portion cut from lower (blank?) margin of 1 leaf; some sl. foxing. = Type designed by HEINRICH JOST.

Idem. Bernhard Negro, die neue Werbeschrift. Ibid., idem, n.d. (±1925), (8)p., printed in black, yellow and blue, orig. (sl. dustsoiled) wr., 4to. Idem. Sie dringt durch... unsere neue Schrift, Flott. Frankf. a.M., idem, 1935, (16)p., ills., printed in colours, orig. wr., 4to. - AND 9 others by the same (2x w. cut-out portion(s)).

€ (70-90) 170
78 96 Typespecimens H Berthold AG 78 96 Typespecimens H Berthold AG
78/ 96 [Typespecimens]. H. Berthold AG. Lot of 10 typspecimens, all Berlin etc., Schriftgießerei H. Berthold AG., ±1925-1935, all orig. wr., 4to/ sm. folio.

- Occas. sl. soiled/ used.

= No. E9. Vesta; 219. Schmale Schriften, Fraktur Antiqua Grotesk; 258. Messing Ranlinien, Radiolinien; 262. Berthold Grotesk - 3 Garnituren (des. by GEORG TRUMP, num. tipped-in samples); 263. Caslon Antiqua und Kursiv; 266. City (des. by GEORG TRUMP); 270. Normande und Normande-Kursiv (typogr. by HERBERT BAYER); 276. Signal (typogr. by HERBERT BAYER); (without no.) Auszug aus der Register-Probe; (idem) Radio und Rundfunk Reklame-Schriften (des. by ADOLF BEHRMANN).

AND: Hoffmann, H. Das Haus Berthold 1858-1921. Zum 25 Jährigen Bestehen der Aktiengesellschaft herausgegeben. Berlin, H. Berthold AG, 1921, 122p., tinted ills., printed in a lim. numb. ed., orig. cl., 4to.

€ (300-500) 1500
78 97 Typespecimens Deberny et Peignot 78 97 Typespecimens Deberny et Peignot
78/ 97 [Typespecimens]. Deberny et Peignot. Caractère Robur. Paris, Deberny et Peignot, (1930), 1 fold. leaf, printed on recto and verso, vignettes by GEORGE AURIOL, orig. wr., 12mo. Idem. Les Antiques Mairgres Larges. Ibid., idem, n.d. (±1930), 1 fold. leaf, printed on recto and verso, ills. by A. HOFER, orig. wr., 12mo. - AND 4 other small typespecimens by the same: L'Astree, Le Dorique, Le Naudin and La série Dix-Huit Deberny.
€ (100-150)
78 98 Typespecimens Deberny et Peignot 78 98 Typespecimens Deberny et Peignot
78 98 Typespecimens Deberny et Peignot 78 98 Typespecimens Deberny et Peignot
78/ 98 [Typespecimens]. Deberny et Peignot. Film. Caractère d'actualité, dessiné par Marcel Jacno. Paris, Fonderies Deberny et Peignot, 1934, (12)p. (incl. wr.), (photogr.) ills., printed in black, green, yellow and red, 4to. Les Sphinx et l'Éclair. Ibid., idem, n.d. (±1935), (16)p. (incl. wr.), (photogr.) ills., incl. a full-p. photogr. by BRASSAÏ and a double-p. photomontage, 4to. - AND 3 others similar by the same: Les Cochins (±1930), Pharaon (±1933) and Le Polyphème et le Cyclopéen (±1936).

- Occas. trifle soiled/ worn.

€ (200-300) 300
78 99 Typespecimens Enschedé C 78 99 Typespecimens Enschedé C
78/ 99 [Typespecimens]. Enschedé, C. Typefoundries in the Netherlands from the fifteenth to the nineteenth century. Engl. rev. and annot. transl. H. Carter and N. Hoeflake, ed. L. Hellinga. Haarlem, Stichting Mus. Enschedé, 1978, XXVIII,477,(1)p., frontisp., num. initials, vignettes etc., printed in 1550 numb. copies (1500), with loosely inserted prospectus, orig. giltlettered hcalf, folio.

- Without the loosely inserted plate of the type-specimen of JAN VAN HOUT.

€ (60-80) 100
78 100 Typespecimens Gebr Fretz Ag 78 100 Typespecimens Gebr Fretz Ag
78 100 Typespecimens Gebr Fretz Ag 78 100 Typespecimens Gebr Fretz Ag
78/ 100 [Typespecimens]. Gebr. Fretz Ag. Proben von Schriften mit Anwendungen. Zürich, Gebr. Fretz Ag., n.d. (±1926), (1),179,(13)p., num. (col.) ills., orig. cl., folio.

- Lower corner sl. bumped; binding soiled and sl. worn at extremities.

AND a brochure for the "Uhertype de Composition Photographique" machine, printed w. the Uhertype designed by J. TSCHICHOLD (Glaris/ Zürich, n.d. (1933), (8)p., ills., folio. Sl. worn and soiled).

€ (40-60) 220
78 101 Typespecimens Lettergieterij 'Amsterdam' voorheen N Tetterode 78 101 Typespecimens Lettergieterij 'Amsterdam' voorheen N Tetterode
78/ 101 [Typespecimens]. Lettergieterij "Amsterdam", voorheen N. Tetterode. Lot of 15 small typespecimens, all Amst., N.V. Lettergieterij "Amsterdam" voorheen N. Tetterode, ±1930-1940, various sizes (mainly 4to).

- Occas. sl. soiled/ used.

= I.a. Atlas, Bodoni, Columbia, Figaro (des. by S. SCHLESINGER), Pascal, Polka and Simplex; also including Moderne L.A. zetterij-meubelen (Hout en Staal) (ibid., idem, n.d. (±1940), 15,(1)p., ills., printed in black, orange and silver, orig. wr. Filing holes in blank inner margin throughout).

AND 4 other small Dutch typespecimens, i.a. by DRUKKERIJ CHEVALIER (Rott., 1941). - ADDED: Lane, J.A. and Lommen, M. Letterproeven van Nederlandse gieterijen (...). Amst., De Buitenkant, 1998, 350,(1)p., ills., orig. cl. w. dustwr., large 8vo.

€ (70-90) 70
78 102 Woolf D 78 102 Woolf D
78/ 102 Woolf, D. The Social Circulation of the Past. English Historical Culture 1500-1730. Oxf., O.U.P., 2003, 1st ed., XVII,(1),421p., 19 ills., orig. cl. w. dustwr. Ovenden, R. Burning the Books. A History of Deliberate Destruction of Knowledge. Cambr. (MA), Harvard Univ. Press, 2020, (10),308p., ills., orig. cl. w. dustwr. Black, J. The Power of Knowledge. How Information and Technology Made the Modern World. New Haven/ London, Yale Univ. Press, 2014, XII,492p., orig. cl. w. dustwr. - AND 13 others similar, incl. M.M. WALDROP, The Dream Machine. J.C.R. Licklider and the Revolution That Made Computing Personal (New York, 2001, 1st ed., ills., orig. clothbacked boards w. dustwr.) and 4 publications (1x DVD) by/ on JACQUES DERRIDA.

- All (near) fine.

€ (70-90) 70
78 103 Abramovic M and Ulay 78 103 Abramovic M and Ulay
78 103 Abramovic M and Ulay 78 103 Abramovic M and Ulay
78/ 103 Abramovic, M. and Ulay. Two performances and Detour. Adelaide, Experimental Art Foundation, 1979, 1st ed., no pagination, num. photogr. plates, orig. photogr. wr., obl. 8vo. Iidem. Relation/ Works. 3 Performances. Innsbruck, U. Krinzinger, 1978, 1st ed., no pagination, num. photogr. plates, printed in 1200 copies, orig. photogr. wr., obl. 8vo. Iidem. 30 November. Wiesbaden, Harlekin, 1979, no pagination, num. photogr. plates, printed in 1000 copies, orig. photogr. wr., obl. 8vo. Iidem. Relation Work and Detour. Amst., Idea Books, (1980), 1st ed., 236p., num. photogr. ills., orig. boards, large 8vo. - AND 3 others by the same (2x only by ULAY).
€ (100-150) 230
78 104 Acton D 78 104 Acton D
78/ 104 Acton, D. The Stamp of Impulse. Abstract Expressionist Prints. Worcester, Worcester Art Museum, 2001, 295,(1)p., num. (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. Sandler, I. Abstrakter Expressionismus. Der Triumph der Amerikanischen Malerei. Herrsching am Ammersee, Pawlak, 1974, 1st German ed., XV,301p., num. (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. - AND 4 others on modern art(ists), i.a. M. LIVINGSTONE, Le Pop Art (Paris, 1990, num. (col.) ills., orig. cl. w. dustwr., 4to).
€ (60-80)
78 105 Albers J 78 105 Albers J
78 105 Albers J 78 105 Albers J
78 105 Albers J 78 105 Albers J
78 105 Albers J 78 105 Albers J
78/ 105 Albers, J. Homages to the square als Wechselwirkung der Farbe. Introd. J. Wissmann. Recklinghausen, A. Bongers, 1977, 53p., 9 full-p. col. silkscreen ills. by J. ALBERS (each 20,5x20,5 cm.), 10 (fold.) ills., orig. cl., sq. 4to.

- Trifle soiled on covers, mostly fine. = SEE ILLUSTRATION PLATE III.

€ (300-500) 550
78 106 Ambasz E 78 106 Ambasz E
78/ 106 Ambasz, E. Italy: The New Domestic Landscape. Achievements and Problems of Italian Design. New York/ Florence, The Museum of Modern Art, (1972), 430,(1)p., num. (col.) (full-p.) ills., orig. glassine wr. w. 4 loosely inserted col. reproductions of Italian design objects, large 8vo (backstrip yellowed).
€ (50-70) 110
78 107 Andre C 78 107 Andre C
78/ 107 Andre, C. Cuts. Texts 1959-2004. Introd. J. Meyer. Cambridge/ London, The Mit Press, 2005, 317p., (full-p.) ills., orig. clothbacked boards. Carl Andre. The Hague/ Eindh., exhib. cat. Haags Gemeentemus./ Van Abbemus., 1987, 176,(3)p., num. ills., orig. wr., 4to. - AND 15 other exhibition catalogues, incl. small publications, on conceptual artists SOLL LEWITT, ROBERT MORRIS, DON JUDD and WALTER DE MARIA, i.a. M. COMPTON and D. SYLVESTER, Robert Morris (London, Tate Gallery, 1971, ills., orig. boards, obl. 4to. Some foxing).
€ (50-70) 230
78/108 Andy Warhol 365 Takes By the staff of the Andy Warhol Museum 78/108 Andy Warhol 365 Takes By the staff of the Andy Warhol Museum
78/ 108 Andy Warhol. 365 Takes. By the staff of the Andy Warhol Museum. London, Thames and Hudson, 2004, 743,(1)p., 365 col. ills., orig. boards w. dustwr., obl. 8vo. Colpaart, A. Wolvecamp. N.pl., Stichting Monografie Theo Wolvecamp, 2002, 183,(1)p., num. (full-p.) (col.) ills., orig. blindst. cl. w. dustwr., orig. blindst. cl. dropback box, 4to (w. loosely inserted orig. mourning card for Theo Wolvecamp).
€ (50-70) 150
78 109 Annenkoff G Courthion P 78 109 Annenkoff G Courthion P
78/ 109 [Annenkoff, G.]. Courthion, P. Georges Annenkoff. Paris, Chroniques du Jour, 1930, 32,(5)p., 32 plates (1x col.), 17 (full-p.) ills., printed in 351 numb. copies, orig. wr., 4to.

= Early overview of the works of Russian émigré artist Georges (Yuri) Annenkov.

€ (100-150) 170
78 110 Appel K 78 110 Appel K
78/ 110 Appel, K. Karel Appel over Karel Appel. Amst., Triton Pers, (1971), 127,(1)p., num. (col.) (photogr.) ills., orig. wr., 4to.

- Fold in spine.

= Two SIGNED DEDICATIONS by K. APPEL and S. VINKENOOG to "Sint Nico'laas"/ "Nico Koster".

Appel, K. Océan Blessé. Poèmes et dessins. Paris, Galilée, 1982, 369,(6)p., ills., orig. wr., 4to.

= With an AUTOGRAPH SIGNED DEDICATION to the same.

€ (100-150) 100
78 111 Appel K Claus H 78 111 Appel K Claus H
78/ 111 [Appel, K.]. Claus, H. Karel Appel. Painter. Amst., J. Strengholt, 1962, 17p., num. (full-p.) (tipped-in) (col.) ills. by K. APPEL, orig. hcl. w. transparent plastic dustwr., 4to.

= With loosely inserted booklet To the reader (4p., on yellow paper).

€ (50-70) 50
Page 610 of 1858