- Trifle foxed in lower blank margin. Otherwise fine.
= "Proefdruk". F.M. 6200; Atlas van Stolk 6583; cat. Harlemia Illustrata 821. SEE ILLUSTRATION PLATE II.
- Blank margins partly sl. creased. Otherwise fine.
= Copy before letters (except for the letters carved in the bark of the tree to the left, most letters in the scene have been left out). F.M. 6200; Atlas van Stolk 6583; cat. Harlemia Illustrata 821.
AND 2 others: "Kennisgeving. (...) Willende zoo veel mogelijk voorkomen alle ongelukken en wanorder bij de ophanden zijnde viering van het Vierde Eeuwfeest der uitvinding van de boekdrukkunst (...) Hebben goedgevonden de navolgende policie-voorzieningen vasttestellen (...)" (broadside, Haarlem, 1823. A few old folds) and "De ondergeteekende [J.S. Keesing] begerig om de voortdurende toejuichingen van het geëerd publiek te verwerven, zal de eer hebben op morgen Vrijdag (...) te vertoonen (...) De Hollandsche boer in Munsterland, Of de Dubbelde Trouwdag (...) De Podagreuse minnaar, Of zo betaald men de gekken (...) De Verkwistende schilder, of list door list betaald (...) En ten slotte: Pierrot op de kermis, of Arlequin aan het koekblok" (broadside, Haarlem, "10 Julii 1823").
- Bookplate and owner's entry of N. Du Bois on upper pastedown and title (18th cent.); (vague) library and cancellation stamps on prelim lvs. Letterpiece dam.
= Haitsma Mulier/ Van der Lem 263; Bigmore/ Wyman I, p.379: "Junius, in this topographical account of Holland, was the first writer who denominated Koster as the inventor of printing." Important early source on the history of the Netherlands, first published in 1588.
- Covers sl. chafed. A fine copy.
= Letter-en Oudheidkundige Verhandelingen van de Hollandsche Maatschappij der Wetenschappen te Haarlem, vol.2. McMurtrie 1014; Bigmore/ Wyman p.395-397; not in Ekama.
- Partly browned/ foxed. Binding very fine.
= From the library of W. van Iterson (owner's entry and bookplate). Ekama 543; Nijhoff/ Van Hattum 54; McMurtrie 1082.
- Folded several times (w. a few splits at extremities of folds); a few chipped spots in margins; sl. waterstained in right margin.
= SEE ILLUSTRATION PLATE II.
- Endpapers sl. foxed. Binding worn along extremities.
= Reichelt 41. The first edition of this famous study by Francis Douce (1757-1834), his lifework, published one year before his death. "La dissertation (...) est un morceau fort curieux" (Brunet II, p.257). Warthin p.86: "(...) one of the best facsimile copies. (...) They are very faithful copies and have been described as scarcely distinguishable from the originals. This is a slight exaggeration, but the cuts are, nevertheless, extremely good copies. Douce's book marks the beginning of the serious study of the Dance of Death mythus. In it he collected an immense amount of data concerning the known editions of the Dance of Death illustrations, and the greater part of this is quite accurate." "Unentbehrliches Handbuch und Nachschlagewerk für Sammler." (Oppermann 1146).
- Occas. sl. foxed; modern endpapers; fold. plate foxed.
= Rare. Cf. Oppermann 1152; Brunet III, p.258. On the plates: Pennington, p.30. SEE ILLUSTRATION PLATE III.
AND a facs. reprint of the French ed. (1808): Les Simulachres & Historiees Facees de la Mort (Paris, 1970, ills., orig. gilt rexine).
- Lower hinge weak; trifle foxed. Rebacked; binding (sl.) worn/ rubbed.
= One of 50 LARGE PAPER copies of the second edition. Leaf D6 uncancelled. Rare.
= The French 'Printing and the mind of man'. A splendid production.
Bücher die die Welt verändern. Darmstadt, Wissenschaftliche Buchgesellschaft, 1969, 788,(2), ills., limp rexine.
= German translation of the 'Printing and the mind of man'.
AND 2 others, i.a. a proof(?) or pre-print of the Printing and the Mind of Man. A descriptive catalogue illustrating the impact of print on the evolution of western civilization during five centuries. Ed. J. Carter and P.H. Muir (255p. only).
- Vol. 3 upper joint split; box dustsoiled and defective (sides splitting).
= Comprises: I-II. Facsimile ed. of the manuscript; III. L. RETI, Engelstalig commentaar (180p.); IV-V. IDEM, Transcriptie en vertaling in het Engels van de codex Madrid I/ II ((5),532; (5),330p.).
- Wrappers yellowed and foxed. Contents fine. = Facsimile reprint of the ed. Nürnberg, 1511.
AND 1 other facsimile: WITTEMBERGER HEILIGTHUMSBUCH (Munich, 1884, 2nd ed., printed in 500 numb. copies, num. ills. after L. CRANACH THE OLDER, orig. embossed calf. Top of spine dam. and corners sl. worn).
= Facsimile after the original 1454 edition, with the accomp. booklet: 114p., (full-p.) col. ills., orig. pict. wr., 4to.
- Slipcase sl. dustsoiled. Otherwise fine.
= The New Graphic Art was the first graphic design overview published as an ideological program, completely set in the Swiss typeset Univers. It describes and shows modern(ist) design up to the end of the 1950's.
- Binding trifle stained, otherwise fine.
= Lists books in French, English and Latin published on the Near and Middle East since the beginning of printing.
Oberlé, G. Les fastes de Bacchus et de Comus ou Histoire du boire et du manger en Europe, de l'antiquité à nos jours, à travers les livres. Paris, Belfond, 1989, 642,(5)p., num. (col.) ills., orig. cl. w. dustwr., 4to.
- Mint. = Standard catalogue containing 1181 entries, with extensive notes.
Trobas, K. Grundlagen der Papierrestaurierung. Graz, Akademische Druck- u. Verlagsanstalt, 1987, XV,(1),354p., num. ills., orig. cl. w. (partly sl. discoloured) dustwr. - AND 4 other bibliographical/ historical works, incl. P.J. BUIJNSTERS, Geschiedenis van de Nederlandse bibliofilie (Nijm., 2010, num. (photogr.) ills., orig. cl. w. dustwr., large 8vo. Mint).
- Lacks 8 plates; a few plates (finger)soiled; a few scattered libr. stamps in upper blank margin.
= Interesting publication, showing a wide range of letter designs and their development from the 11th-17th cent. (7 plates to the early 20th cent.) for religious and legal documents and books and for commercial use and poster designs.
Modelboek voor het vervaardigen van sierlijke Schrijf-, Model- en Kunstletters benevens ornamenten voor Plafond, Muurversiering en Schilden ten dienste van Ververs, Steenhouwers (...) Graveurs, Lithographen enz. Amst., Gebr. E. & M. Cohen, n.d. (±1880), 4 parts in 1 vol., (64) leaves w. various types of letters and ornaments, later boards w. orig. identical frontwr. laid down on frontcover and backcover, obl. 8vo.
- Without title-p. Occas. fingersoiling in margins/ lower corner.
- Wr. sl. yellowed as usual.
Hernad, B. and Maur, K. von. Papiergesänge. Buchkunst im zwanzigsten Jahrhundert. Munich, Prestel, 1992, 311,(1)p., richly illustrated, orig. cl. w. dustwr., 4to. Graphic Design in America. A Visual History. Minneapolis/ New York, Walker Art, Harry N. Abrams, 1989, 264p., richly illustrated, orig. cl. w. dustwr., 4to. - AND 3 others.