- Right margin doubled and restored in brush and grey wash over strip of 1,5-2,5 cm. width; blank margins frayed; vaguely waterstained.
= The second state (of 2), with the address of Aubrij. Rare. Mysterium Wein p.216f.
- Tipped onto mount along lower and upper margin. Fine copy, with pencil annot. "verzameling Liechtenstein" on passepartout.
= Remarkable print in the style of Gimignani showing putti freely enjoying wine in excess.
- With a few closed tears (mostly in blank margins); (sl.) frayed and dam. along edges.
= Rare. Right section of a large woodcut, printed with 3 blocks. It shows the scenes from the Passion, from Ecce Homo, the Road to Calvary, Crucifixion, Emtombment and Christ reappearing as a gardener (Noli me tangere). On 16th century laid paper with an unidentified watermark, probably a crowned heraldic shield. Nagler, Die Monogrammisten III, 1693.
AND 2 other large woodcuts showing Christ before Herod and Christ before Pontius Pilate.
- A few sm. scratches; sl. craquelé
= Fontanesi is mostly known for his scenic designs for opera and ballet.
- Remargined in top margin; all prints stained in lower blank margin.
= Rare complete series, copies in reverse and in reduced size, with the months named in Spanish, and each plate with an inset image of a sign of the zodiac in upper right or left corner. Cf. Hollstein (Persijn) 8-10. SEE ILLUSTRATION PLATE LXXXI.
= Probably from Gazette des Beaux-Arts, 1907.
- Slightly soiled/ a few sm. tears in blank margins.
AND 1 engraving by C. BROUWER after J.A. LANGENDIJK: "Het Landen der Engelsche, tusschen Pette en Calantsoog, op den 27 Augustus des Jaars 1799."
- Vaguely waterstained in upper part. = F.M. 1380; Hollstein 31, copy a-2.
Luiken, J. (1649-1712). (Balthasar Gerards shooting William of Orange in Delft). Etching, 27x34 cm., (F.M. 885c). - AND ±25 other prints related to Dutch history, i.a. 2 allegorical etched scenes by JEREMIAS SNOEK, showing the benefits of the alliance with France, i.a. universal human rights (Rott., printed by J. Groenewoud, 1795. F.M. 5425 and 5343) and a etching of the defenders of Haarlem by ROMEYN DE HOOGHE and the Dutch Iconoclast Fury of 1566 (etching by F. HOGENBERG, F.M. 413-102).
- With margins. Laid down on modern paper mounts.
= Hollstein 74, 75 and 76, 1st and only state.
- Unevenly browned.
= Hollstein 2, 2nd state (of 2), w. the address of F. de Wit. From the collection of Fred. Bianchi with his collector's mark (Lugt 3761). Scarce.
- Vaguely foxed. = Hillemacher 3.
- Two very small spots w. light surface dam. Otherwise fine.
= Rare portrait of the German moneyer Marquart Rosenberger (1480-1536). SEE ILLUSTRATION PLATE CIII.
- Vertical fold in centre; closed tear in lower part; a few marginal tears.
- Slightly browned; paper partly very thin/ transparent; lacks sm. part of left blank margin.
= Hollstein and Godefroy 48, the 4th and final state.
- Dirty and weak impression. = Godefroy and Hollstein 31, the 7th state (of 7). On laid paper.
AND 3 others by/ after the same: The family (copy in reverse of Godefroy 46), The Doll (copy of Godefroy 16) and Peasants Quarrel (Godefroy 18, late impression of the 8th state).
- Foxed spots and w. creases; closed tear near upper edge.
= Hollstein 50, Rare.
Engraving after J. VAN WINGE, 1594, 31,2x24,2 cm., engr. captions below.
- Small hole affecting image; old middle-fold; trifle yellowed. = Hollstein 134.
AND 2 other etchings by the same: a mediocre copy of Lucretia and Susanna and the Elders.
- Four prints vaguely (water)stained in lower blank margin.