- All prints dogeared or w. folds in margins; sm. tear in margin colophon leaf.
= Comprises: F. MEES, Inhoudsopgave (lithograph, 22,1x15,6 cm.); D.H. NIJLAND, (Man and a woman sitting on a bench, a harbour in the background) (woodcut, 15,5x22 cm., monogrammed and "'28" in the block); A.P. DERKZEN VAN ANGEREN, (Harbour) (etching, 15,1x22 cm.); S. MOULIJN, Dennen (lithograph, 14,9x21,6 cm., monogrammed and "28" on the stone. Ariëns Kappers etc. 138); J.P.J. FRANKEN Pzn., (Woman with shawl) (woodcut, 22,1x15,5 cm.); S. JESSURUN DE MESQUITA, Reiger (snavel naar links) (etching, 17,2x12,1 cm., signed "Mesquita" and "1928" in the plate. Van Es D123, not mentioning this edition); J. DIJKSTRA, (Female nude) (lithograph, 23,7x17 cm., signed on the stone); F. MEES, (Military horseman) (woodcut, 22,1x15,6 cm., monogrammed in the block); N.M. EEKMAN, "Cartomancienne" (drypoint, printed in brown, 22x15,4 cm., titled in the plate); E.W. KONING, (Mushroom and lizard) (lithograph, 14,5x21,8 cm., monogrammed on the stone); W.A. OEPTS, (Café scene) (woodcut, 22,2x15,5 cm., monogrammed in the block); L.A. SENGERS, (Man) (etching, 21,8x15,3 cm.); W.B. VAN HEUSDEN, (Portrait of a man) (lithograph, 22x15,6 cm., monogrammed on the stone).
= Kees Verwey met Antony Kok in Haarlem in 1953, befriended him and made a large number of portraits of him (see: H. and J. van Kempen, "Antony Kok had me te pakken", in: Kees Verwey en zijn idolen. Dordrecht, 2019).
- Some sl. foxing.
= From the estate of Godfried and Pietsie Bomans-Verscheure. Verso frame with manuscript annotation in ballpoint: "Gekregen van Kees Verwey, Zondag 23 April 1961. Godfried Bomans". SEE ILLUSTRATION PLATE LXVI.
= From the estate of Godfried and Pietsie Bomans-Verscheure (verso frame w. ballpoint annot. "Bomans/ f.6.95").
= From the estate of Godfried and Pietsie Bomans-Verscheure.
= From the estate of Godfried and Pietsie Bomans-Verscheure.
= With a dedication by the artist in "Kerkstraat met geboortehuis van Pieter Langendijk (...) van Kees en Jeanne 5 juli 1960" on recto passepartout. And a dedication in blue ballpoint on verso by GODFRIED [BOMANS] "op zijn verjaardag 1966" to HARRY PRENEN.
AND another brush and ink drawing by the same, signed in pencil, showing a boy playing a flute.
- Sl. soiled. = From the estate of Godfried and Pietsie Bomans-Verscheure.
= From the estate of Godfried and Pietsie Bomans-Verscheure. SEE ILLUSTRATION PLATE LXVI.
= Exhibited in 1961 in Stedelijk Museum De Lakenhal in Leiden, in 1962 in the exhibition Nederlandse aquarellen en gouaches van 1850 tot nu in De Beyerd, Breda and in 1964 in Centraal Museum Utrecht in a joint exhibition with Mari Andriessen.
= Boht from the estate of Godfried and Pietsie Bomans-Verscheure.
- Browned. = The only known etching or print by the artist.