- Sl. yellowed; some sm. rubbed spots (silverfish) in sky section.
= Hubert and Braches & Heijbroek E78 (2347), 3rd state of 3 (fragment). In 1910 after the printing of the 3rd state (20 or 25 copies) the etching plate was supposedly destroyed. The plate was actually partly crossed out and in 1912 2 copies of this crossed out plate were printed. The plate was cut smaller and a fragment with the sluice was cut off and 14 copies were printed (of which 10 for the company Scheltema & Holkema). In 1916 and in 1917 another 10 copies were printed.
- Lacks portion of upper right blank corner.
AND 17 miscell. other prints, incl. similar "Bijvoegsels" by S. MOULIJN, J. VETH, L. SCHELFHOUT and A. HAHN.
- Browned.
= Hubert E86; Braches E86, the 5th state of 5 (with the added small lines on each side), "hiervan 2 proeven en 10 exemplaren op Jap. papier" (probably one the proofs).
= Braches/ Heijboer L6 "Hiervan bestaan elf proeven met vignet en acht zonder vignet". Our copy without vignette. One of the 11 rare large lithographs, created by Nieuwenkamp on Java in 1918. Provenance: from (family of) the artist to the Edam painter Tjomme de Boer (family of the present owner), received as payment for various work. De Boer worked i.a. on the artist's boat the Zwerver and the artist's villa in Fiesole.
= Braches/ Heijboer L8. "Hiervan bestaan elf proeven met vignet en zes zonder vignet, maar deze zijn niet meer te krijgen" (our copy without vignette). Provenance: from (family of) the artist to the Edam painter Tjomme de Boer (family of the present owner), received as payment for various work. De Boer worked i.a. on the artist's boat the Zwerver and the artist's villa in Fiesole. Rare.
= Rare. Braches/ Heijboer L10. "Hiervan bestaan acht proeven met vignet en acht zonder vignet" (our copy without). Provenance: from (family of) the artist to the Edam painter Tjomme de Boer (family of the present owner), received as payment for various work. De Boer worked i.a. on the artist's boat the Zwerver and the artist's villa in Fiesole. SEE ILLUSTRATION PLATE L.
= Early drawing, perhaps with a dedication to his first wife Marie.
Idem (attrib.). (Foreign harbour view). Drawing, black chalk and wash, 14x23 cm. - AND 6 other drawings attrib. to the same (i.a. a street view of Wennigode and a view of the Maas) and 2 unsigned woodcuts.
- Closed tear in lower edge.
AND 5 other (sm.) drawings/ watercolours, mostly landscapes.
- Mounted on board along margins.
AND 6 other woodcuts, i.a. 3 attributed to PR. DE SMET and one col. woodcut of sailing boats signed (illegibly) in pencil.
= Van Aubel/ Roodenburg-Schadd/ Jooren GR.001. "Twee van de vroegst bewaarde prenten van Oepts zijn de linoleumsneden Muziektent (...) en Nachtboot (...). Het zijn eenvoudige tafereeltjes zoals hij die aantrof in zijn woonplaats Amsterdam. De kunstenaar heeft de beperkte mogelijkheden van het zwart-wit ten volle benut: de sterk contrasterende partijen scheppen een nachtelijke sfeer, en de herhalende vormen van silhouetten en schaduwen zorgen voor enige perspectivische ruimtewerking en creëren ritmische patronen." (p.50).
- Some wrinkles. = Not in Van Aubel/ Roodenburg-Schadd/ Jooren.
- Cut from the frame; very worn, paint flaked. Sold w.a.f.
= An early symbolist work by the artist.