= Fine and rare complete publication. SEE ILLUSTRATION PLATE XLVIII.
= Originally part of the collection of Hotel Spaander in Volendam, given by the artist as payment. Margaret Moscheles (born Sobernheim) was a British Jewish artist from Berlin, who married the artist Felix Moscheles. Both stayed in Volendam in 1903.
- Trifle foxed.
= Ariëns Kappers etc. 160. "De prenten gestempeld met een groen rond merk met de initialen SM erin zijn door de kunstenaar zelf afgedrukt." (A.K. p.118).
Idem. Herinnering. Lithograph, 1908, 25x25 cm., signed and "no. 5" in pencil, monogrammed and "08" on the stone (Ariëns Kappers etc. 7.). - AND 8 others, all (except 1) unsigned lithographs by the same, i.a. Boompje in bloei (signed), Landschap, Bomen aan het water (landschap), Olijvenbos bij Tivoli and Dennen.
= Ariëns Kappers 87.
AND 4 other lithographs by the same: De grote vijver (het Loo) (Ariëns Kappers 46), Beuk (signed in pencil, AK 136), Landschap (AK 174 ("proefdruk") and Reflets (signed in pencil and w. artist's stamp, AK 180).
= Perhaps a depiction of Saint John the Baptist and Salome.
AND 2 others by the same, i.a. a woodcut depicting The Flight to Egypt (dated 1926).
(A man sitting on the back of a dog). Painting, acrylic and pastel crayon, 50x70 cm., signed "Charlotte Mutsaers" and "81" in upper right corner, framed.
= SEE ILLUSTRATION PLATE XLVIII.
- Sl. discol. along margins; vague horizontal folds; a few very sm. tears in upper blank margin; both upper corners lack tiny blank portion.
= Hubert E76; Braches & Heijbroek E76/ 2340, 2nd state of 2 (without the addres) "drie proeven op Japansch papier" (3 proofs on Japanese). Very rare.
= Braches/ Heijboer L13. Rare first state. The 2nd state was published as "Kunstkring Premie" for the Nederlandsch-Indische Kunstkring. Provenance: from (family of) the artist to the Edam painter Tjomme de Boer (family of the present owner), received as payment for various work. De Boer worked i.a. on the artist's boat the Zwerver and the artist's villa in Fiesole.
= Hubert and Braches & Heijboer E172 (2543), 2nd state of 2, "Drie proeven op Japansch Papier" (printed on Boxing day, 1915). Very rare. SEE ILLUSTRATION PLATE XLIX.
= Braches/ Heijboer L3. Rare. "Hiervan bestaan negen proeven met vignet en zeven zonder vignet" (our copy without). Provenance: from (family of) the artist to the Edam painter Tjomme de Boer (family of the present owner), received as payment for various work. De Boer worked i.a. on the artist's boat the Zwerver and the artist's villa in Fiesole.
- Sl. foxed and creased. = Hubert E46, 4th and final state. SEE ILLUSTRATION PLATE XLIX.
= Braches/ Heijboer E181, 4th and final state "van deze staat (...) zijn door de Firma Kleykamp een groot aantal exemplaren gedrukt, als premieplaat voor 1917".
Idem. Gracht te Dordrecht. Etching, 1897, 26x18 cm., w. signature "W.O.J. Nieuwenkamp" in pencil, framed.
- The signature seems to be added later by a different hand.
= Braches/ Heijboer E22, perhaps 2nd (many copies) or 4th state of 4 (2 proofs and 35 copies on Japanese). From the series Dordrecht, zes etsen van W.O.J. Nieuwenkamp en J.M. Graadt van Roggen (1897).
AND 2 woodcuts by the same: Kampveersche Toren, Veere (H 54) and Stadhuis te Graft (H 73).
= Hubert, Braches/ Heijboer E111, 2nd state of 3. With added black chalk by the artist to show which areas should get extra shading (in the 3rd state). Very rare. Only 3 proofs on heavy Japanese. Provenance: from (family of) the artist to the Edam painter Tjomme de Boer (family of the present owner), received as payment for various work. De Boer worked i.a. on the artist's boat the Zwerver and the artist's villa in Fiesole. SEE ILLUSTRATION PLATE XLVII.