= Van Burkom GH16.
- Sl. yellowed.
AND 4 other colour lithographs by the same, 2x signed in pencil.
= All from the series of so-called Schildersprenten. Complete set of Wiegers' work published in the series.
- Badly foxed/ sl. browned; some surface dam. (affecting image, worse in blank margins).
= Redeker, Jan Wiegers grafisch werk (Domino reeks 5), no.11.
Idem. (Noorderhogebrug Spiegelbeeld). Drypoint, 22x26 cm., signed "Jan Wiegers" and "No.1" in pencil.
- Badly foxed/ sl. browned; surface dam. in lower left corner (w. sl. loss of image); some annots. in ballpoint on verso.
AND a black chalk drawing by Karel COLNOT, (French village).
= Provenance: the collection of C.J.M. Rolink.
= Posthumous impression.
AND 3 other etchings by the same, all posthumously printed, w. signature stamp.
= SEE ILLUSTRATION PLATE XXVIII.
- Foxed/ browned, mostly in margins; brown stain in lower part.
AND 4 other etchings/ drypoints by the same, all posthumously printed, w. signature stamp.
= Published in the series of so-called Schildersprenten.
= Probably a view of Sonogno, Valle Verzasca.
= All published in the series of the so-called schildersprenten. Complete set of Wijnberg's and Andréa's work published in the series.
- Partly foxed. Verso paper tape along margins.
Roermeester, Gerardus (1844-1936). (Two farmhouses and chickens by the water). Watercolour, 27x36 cm., signed in pencil.
- Verso paper tape along margins.
AND 2 other drawings: a watercolour landscape monogrammed "M"[oulijn][?] and a watercolour of a farmer by Christian[?] SNIJDERS.
- Laid down on board; browned and sl. soiled; waterstain along edge; right (of lower) edge outside the board frayed and dam.
= Janus de Winter was one of the first Dutch early followers of Wassily Kandinsky. Between 1912 and 1914 he attended various lectures in Germany by Kandinsky and other members of the Blaue Reiter. He painted classical landscapes for his living. But his real interest lay in painting the mystical unseen, emotions and sounds of music in a lyrical expressionist style of auras and other colourful abstract visions. He was introduced to Theo van Doesburg by Eric Wichmann in 1915. After having seen his expressionist work, Van Doesburg promoted the artist with ardour during lectures and in publications from 1916 onwards. SEE ILLUSTRATION PLATE XXVIII.
= De Groot 166, VIIa, without printed address; Boon 163; Van Wisselingh 483. SEE ILLUSTRATION PLATE XXVIII.
- Sl. yellowed. = De Groot 118, II; Boon 112; Van Wisselingh 444 ("Damrak I").
- Sl. yellowed. = Rare. De Groot 79, 2nd state of 2; Van Wisselingh 412 (numb. I-X and 11-60).
= De Groot 138, IV; Boon 137; Van Wisselingh 464 ("Dorpssmid"), 100 impressions.






































