= Title supplied in pencil in different hand.
AND 7 other etchings by the same, various sizes, all signed and numb. (each one of an edition of 14, 50 or 100 copies) in pencil, all w. red monogram stamp, all but two titled in pencil (in different hand): "Cartomancienne" (titled in the plate), Hollande Synthetique, l'Homme qui vient, l'Oiseleur, l'Homme qui part, "Errfoncé le nair! Rien que des art" (titled in the plate) and Mat de Cocagne.
= SEE ILLUSTRATION PLATE XXIX.
= Nice expressionist woodcuts. Rare. Bréon, p.68ff. SEE ILLUSTRATION PLATE XXIX.
- Mounted along margins on thick paper; foxed.
= Bréon, p.80.
AND 2 other woodcuts by the same, both similar size, both signed and numb. in pencil.
- Each woodcut tipped along margins onto paper.
- Tipped onto paper; foxed.
AND a PROOF of the same print, also signed in pencil.
- Mounted along margins under passe partout; browned; sm. dent in lower right corner.
- Tread loosening along extremities.
- Some foxing in lower margin.
Idem. "Kind". Etching, 15,7x12 cm., signed "Ehrlich 22" and titled in pencil.
Corinth, L. (1858-1925). Kaiser Maximilian I. Lithograph, 32x24,8 cm., from the series of 40 lithographs "Martin Luther", publ. 1919. Idem. Luther und Frundsberg. Lithograph, 32,7x25,2 cm., from the same series.
- Both prints margins strengthened on verso. = Schwarz L444, XV and XX.
= With GER VAN ELK. Ed. M. Bloemheuvel a.o. (Deventer, 2009, num. (full-p.) (col.) ills., orig. wr., 4to). SEE ILLUSTRATION PLATE XXX.
- Dogeared and sl. creased.
- Tiny speck in lower blank margin.
- Trifle foxed in lower blank margin. Otherwise fine.
= Taevernier 125, first state (of 3): "The man in the centre is turned to right. (...) numerous lines have not yet been added". SEE ILLUSTRATION PLATE XXX.
- Foxed.
= Taevernier/ Croquez 71, 4th state (of 4). - IN: Catalogue Illustré Salon de Gand, XXXVe Exposition 1792 - Centenaire - 1892 (Ghent, Soc. Royal (...) des Beaux-Arts, 1892, (etched) plates, ills., orig. limp cl., 4to (loose and occas. sl. frayed; foxed).
ADDED: P. CLAEYS, Les Expositions d'Oeuvres d'Art à Gand. Essai historique (Ghent, 1892, ills., facs. plates, orig. limp cl., 4to. Loose and sl. frayed, foxed).
- Some vague foxing, expecially in lower half. = Spies/ Leppin A39.
- Trifle yellowed; upper margin some dents (touching the borderline). = Bool 360; Iaquinta p.34.
- Tipped-in the issue Boekcier, 1959, no.3.
= Version without the printed text on verso. H.J.P.C. Buul, De collectie Strens (in: Uit de boeken van Eugène Strens. Zutphen/ The Hague, 1995): "Met Escher wordt ook uitvoerig gecorrespondeerd over de grafische uitvoering van de nieuwjaarswensen. Is er aanvankelijk sprake van vier litho's, uiteindelijk kiest Strens, in verband met de lagere drukkosten voor cliché's. Door de tweekleurendruk van de wenskaarten werden er acht verschillende cliché's gemaakt. In de vakliteratuur en de veilingcatalogi is er tot nu toe steeds van uitgegaan dat de wensen gesneden zijn in hout. Dit blijkt nu dus onjuist te zijn." (p.42-43). Bool 382 (describing the prints as woodcuts); Iaquinta p.40. The periodical contains more nice images, such as an ex libris by P. Schuitema for C. Chevalier and two woodcut ills. by M.C. Escher. SEE ILLUSTRATION PLATE XXXIII.