= All showing dancers/ actors or wayang puppets.
ADDED: a "plaatjes album" containing pictures of dancers (i.a. from Indonesia). - AND: 2 col. picture postcards and 9 photogr. cards showing Japanese women/ dancers.
- Some browning; a few sl. dam. in corner.
= Including i.a. "Grobak Malang", "Soerabaia", "Tosarie. De Bromo in werking van uit de Zandzee gezien", "Jewelleries on the foot of a Hindoo Lady", "Voorname Atjehsche vrouw met vrouwelijke bediende" and "Sikh man".
- Tape along outer margins on verso.
Monogrammist H.G.L(?) (20th cent.). (Girl with local headgear). Drawing, pen and ink and black chalk underdrawing, monogrammed in pencil in lower left corner.
- Sl. stained in blank margins, just touching image.
= With on verso a study of 2 heads in black chalk.
- First plate trifle creased and frayed in top margin and sl. foxed in lower left corner; final plate trifle frayed in top margin. All plates trifle yellowed.
= "Solor. Pl. 45", "Sawoe. Pl. 44", "Timor. Pl. 34" and "Timor. Pl.35". Bastin/ Brommer n.265; Haks/ Maris p.50, 190 and 201. SEE ILLUSTRATION PLATE XXIV.
AND 13 others from the same work, all showing attributes, decoration and weapons of the indigenous people of Borneo, New Guinea, Timor and Rotti, Timor and Solor and Rotti and Sawoe (partly frayed in top and/ or lower margin and partly browned in top margin).
- Sm. dam. spot in upper margin.
= Nicely coloured, adorned with gold. "This art form [lukisan kaca], in which paint is applied onto the back surface of a piece of glass and viewed from the front, was first imported from Europe to Asia in the eighteenth century. (...) It is not known how or when reverse painting arrived in Java, Bali, or other islands of Indonesia, though a number of theories exist. (...) Most of the earliest paintings depict wayang figures, closely resembling tlawungan in their composition, although there are also a number representing military conflicts. (...) In other parts of Java [outside of the pasar malam (market in cities)], lukisan kaca made in the last decades of colonialism often depicted contemporary scenes. A very popular subject for central Javanese lukisan kaca to date are the punakawan (clown-servants) of wayang kulit dressed up in the traditional garb of the priyayi elite and partaking in modern diversions. (...) In Cirebon, in contrast, the lukisan kaca form until relatively recently has been used almost exlusively to depict traditional subjects - wayang figures and scenes, batik motifs, Islamic symbols such as the Buran and macan Ali, verses from the Qur'an." (M.I. Cohen, "Traditional and Popular Painting in Modern Java." Archipel 69, no. 1 (2005): 5-38, pp. 31-32).
- Lacks the large fold. handcol. map of Java; first 3 preliminary leaves of vol.1 sl. creased and 4th leaf sl. stained in lower outer blank corner; one textleaf lacks blank outer lower corner. Frontcover of vol. 2 dam. in lower margin; both vols. covers sl. rubbed and backstrips faded. Otherwise a good copy with the often lacking htitles,
= Abbey Travel 554; Tooley 391; Rouffaer/ Muller p.9; Bastin/ Brommer n 80 and 81; cat. NHSM, p.244 (ed. 1830); Tiele 896 (abridged Dutch ed., 1836); Von Hünersdorff/ Hasenkamp II, p.1213-1214; Wellcome IV, p.464. "In 1817 appeared the monumental work of Sir Thomas Raffles, which in spite of certain inaccuracies is still a standard book (...) begun in October 1816 and published in the following May. He was interested in every aspect of his subject, and devotes whole sections to Javan ethics, literature, poetry, music and musical instruments, drama, games of skill and methods of hunting, besides the more ordinary matters of interest, population, natural history, religion, antiquities and the military system. At the end of the second volume a hundred and fifty pages are given up to the comparitive vocabularies of Java and the neighbouring islands, and the whole is a unique monument erected by a great ruler to those over whom he rules, and incidentally, to his own honour (...) stands very high in its own class and the aquatint plates are full of interest" (Prideaux p.152). "An influential work valued for the author's firsthand observations on the customs and condition of the Javanese under his administration as Governor-General during the British occupation of the Dutch East Indies (1811-1815)." (Von Hünersdorff/ Hasenkamp). SEE ILLUSTRATION PLATE XXVI.
- With library stamps.
= Scarce. With contemporary annotation in pen (by the author?): "Gewezen 1e Luit. by den Kurrrasier. 19 July 1831 van Batavia vertrokken met het schip Sea(?), Kap. Hord, 5 December te Vlissingen. 2 augustus Batav. Consul 4 augustus eervol ontslagen id.--- 5 mei 1831 N." According to other biographical data, Schmal was a former Haarlem lieutenant who went to the Dutch Indies in 1829 on commission as lieutenant of the "Vrijwillige Jagers te paard". During his return voyage in 1831 his wife and youngest son died. And he became a bookshop owner in Zierikzee. A personal and rather negative account of a soldier's life in the Dutch Indies: "een soldaat kan in die Indië niet zwieren, nog maar zelden zuipen en ik ben verzekerd er meer van verdriet uitteren en sterven dan door den drank of losbollerij. (...) Er behoort eene stalen ziel in een metaal ligchaam, om al de rampen te wederstaan, die den soldaat in Indië treffen" (from the introduction).
Weede, H.M. van. Indische Reisherinneringen. Haarlem, H.D. Tjeenk Willink & Zoon, 1908, (6),526p., ills., orig. giltlettered cl.
- Owner's stamp on title.
- Atlas vol. only in fine condition; lacks the 2 text vols. Covers sl. stained; spine worn/ dam.
= Cat. NHSM 178; Brunet VI, 20019. SEE ILLUSTRATION PLATE XXVI.
= Facs. reprint of the ed. Amst./ Dordr., 1724-1726.
= Facs. reprint of the ed. Amst./ Dordr., 1724-1726.
- Pages 19-30 loosening; several pages sticking together. Spine discoloured and torn; spine-ends chipped.
= Rouffaer/ Muller suppl. I, p.18.
- Sl. yellowed and dampstained; maps occas. torn
- Title-p. yellowed/ browned; maps w. offsetting on both adjacent pages and onto the opposite side of the map itself; new endpapers. Binding worn along extremities and covers sl. chafed; rebacked w. modern calf.
= Rare. Henze I, p.349; Cox I, p.394; Gay 43; Howgego I, B170; Ibrahim-Hilmy I, p. 91. "(...) Having successfully crossed the desert to Darfur, he was detained by the local sultan for three years until 1796 before being allowed to return north. His account of the region was to be the first by a European explorer. (...) His description of Egypt is considered one of the best of the period, despite its dry, affected style." (Howgego). SEE ILLUSTRATION PLATE XXVII.
- Without the 2nd vol.; final text leaf loose. Binding rubbed and sl. worn.
= Mendelssohn I, p.889 (Engl. ed., 1790); Gay 3118 (other ed.); Kainbacher I, p.162 (German eds.); Henze III, p.225ff; Cox I, p.389: "(...) interesting as an account of South Africa at a time when comparatively little was known regarding its natural history and the Dutch settlers". Nice views of the Cape of Good Hope and "Camp de Pampoen-Kraal".
- Fold. plate strengthened on fold. = Memoires de la Société royale de géographie d'Égypte V-VII.
- Hinges split; owner's entry on 1st free endpaper; last 2 lvs. and map sl. nibbled by silverfish. Binding (sl.) worn; joints splitting.
AND 4 others, i.a. A. EGMONT HAKE, The journals of Major-Gen. C.G. Gordon, C.R. at Kartoum (London, 1885, steelengr. portrait, maps, ills., orig. gilt cl.) and IDEM, The story of Chinese Gordon (ibid., 1884, maps, portraits, orig. gilt pict. cl. Owner's entry on title; both vols. hinges weak. Spine sunned).