3407 - 4320 FINE ARTS - MODERN ART. PRINTS, DRAWINGS, WATERCOLOURS, PAINTINGS and SCULPTURES
= SEE ILLUSTRATION PLATE XVII.
= SEE ILLUSTRATION PLATE XVII.
= De Groot P45. Posthumous impression by W.D. KUIK.
= De Groot P50, II: "Deze houtsneden, zijn laatste voltooide prenten, behoren tot zijn meest succesvolle werk door hun beheersing van de techniek en artistieke expressie."
- Hinges weak; trifle (finger)soiled. Wr. sl. dam. on edges. = Monod 7737.
= Possibly a sketch for one of the lithographs for Édouard Herriot, Dans la Forêt Normande (1927).
- A few vague marginal handling creases/ folds. Verso w. vague stamp "Prova".
= Published in Let mots en liberté futuristes (Milan, 1919). "A Tumultuous Assembly: Numerical Sensibility is an example of tavole parolibere (free-word pictures). In this print, the subject of which is Italys victory in World War I, Marinetti drew from visual collage and parole in libertà (words-in-freedom) and eschewed regulations of grammar and syntax to create a work that can be interpreted both visually and aurally. A Tumultuous Assembly: Numerical Sensibility liberates numbers, signs, letters, and images from their functional responsibilities, exaggerates forms, and juxtaposes diverse elements, thereby producing unexpected associations. The Futurists celebrated the potential of war, drawing analogies between weaponry, such as torpedoes and bombs, and Futurist poetry. Here, Marinetti combined innovative typography, found elements (such as the image of the drummer boy on the left and the strips of letters and numbers throughout the composition), and dramatic variations in scale to create a dynamic composition representing a celebrating crowd" (www.metmuseum.org).
- Horizontal and vertical middle-fold.
= Separate impression (proof?) of the illustration from the flyer-manifesto of the "Direzione del movimento futurista", which announces the forthcoming publication of the anthology "I paroliberi futuristi", 1915.
- Later impression (1968) by C. Schünemann Verlag Bremen.
Aart, H. van der (b.1951). (A young woman wearing a belly button shirt). Col. etching, 28x13 cm., signed "Harry van der Aart" and "Ets 2005" in pencil. - AND 15 other prints, mainly silkscreens and or/ computer prints, i.a. by M. VAN VOLLENHOVEN, J. BELT, M. HUYGENS, P. VAN DER STEEN and J. MUIJS.
- Silkscreen IV w. sm. handling crease in image.
= From L'Atelier Mourlot Limited Edition Lithograph Collection (London Redfern Gallery, 1965).
AND 2 col. lithographs by M. ESTÈVE ("Face à face", from XXe Siècle, 1968) and R. MORETTI (fold. as issued).
= Probably a proof of the title with a different publisher's address as the series was published by Prometheus (The Hague) and Gulden Sonne (antwerpen).
AND a complete series of 6 woodcuts of Soirees de pecheurs by the same (Antw., 1925, without portfolio or colophon) and a handcol. woodcut by J. FRANKEN Pzn, titled "Boeren II".
= Grondman ill. 69.
- Trifle foxed/ yellowed; traces/ remnants of paper along margins on verso. = Not in Grondman. SEE ILLUSTRATION PLATE XXII.
- Partly yellowed.