5793 - 6157 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
- A few foxed spots. Not examined of outside frame.
= Fine and delicate watercolour by an unidentified artist.
- On laid paper; doubled; sl. foxed in lower margin.
= German architect (of French origins) Louis Remy de La Fosse or Nicholas le Rouge, worked until 1705 as draughtsman in the atelier of Johann Friedrich Eosander in Berlin. In 1706 he became the court artchitect of Georg Ludwig of Hannover (later king George I of Great Britain). It is not certain whether these medallions were ever executed.
= From the collection P.C. Séchan with the collector's mark on recto (Lugt 2342). SEE ILLUSTRATION PLATE CXXXI.
- Thin scratch in upper margin.
- Three pinholes in lower margin. = Attractive view of an unidentified village.
- Foxed.
= With the collector's mark of Emile Wauters (Lugt 911) on recto. According to annotation on verso, bought at the sale of Wauters in june 1926 and attributed to Albert Cuyp. SEE ILLUSTRATION PLATE CXXXI.
= Showing the Ooster Nieuwehoofd of Scheepsmakerspoort, De boompjes, the ship warf of Dutch East Indies Company and wind mill Kostverloren. A print with the same composition was made by Groenewegen in 1797 as part of a series of six views of the Maas. SEE ILLUSTRATION PLATE CXXXII.
- With retouches in the sky. = SEE ILLUSTRATION PLATE CXXXII.
= SEE ILLUSTRATION PLATE.
Idem. (Ruminating cow). Drawing, grey and orange crayon, 12,8x19,3 cm., signed and dated "P.J. Guise fec. 1833".
- Sl. duststained.
- Occas. sl. frayed and/ or creased in margin(s); occas. stained/ sl. soiled.
= Studies of hands, feet, torso's, male nudes and classical heads.
- Occas. sl. frayed and/ or creased in margin(s).
= Mainly studies of full length male models and classical heads.
- Bookplate on upper pastedown.
= Charming travel sketchbook of drawings of Ruben's work found in French museums. The manuscript text shows the dimensions of the original works.
= Attribution to Hennequin in pencil on verso.
- Mount stained.